Since its original debut in 1987, the Silver Jubilee has taken the music community by a storm. It’s caught the attention of many guitarists, thanks to its impeccable performance in clubs and arenas.
Nearly 30 years later, the company reissued its most celebrated amp head with an array of rugged features that appealed to faithful users.
Marshall’s full roar and genuine tone can’t be mistaken, and the company made sure to keep it the same with the reissue. Let’s see what else there is to the modern version of the Marshall 2555X Silver Jubilee.
Build, Knobs, and Tones!
Although the 2555X looks strikingly similar to its predecessor, it has a number of different features. It’s refreshing; the fact that you can enjoy modern-day features in a classic, timeless device.
The 2555X now has five output jacks for speakers, ranging from 4–16 ohms. Meanwhile, the older version had only two jacks. Marshall made sure to fix the flickering issue, as well, which was a common complaint in the original version. The 2555X now features a switching circuitry that performs without a hitch.
The 2555X comes with a front panel that’s topped off by bass, middle, treble, presence, lead master, output master, and input gain knobs. A couple of the knobs are push/pull styles to make the adjustments more accessible.
The output master knob adjusts the channels easier than a footswitch does, whereas the input gain knob activates the rhythm clip’s function. This adjustment gets the sound roaring for high tones because it adds an extra stage.
You can operate the 2555X through pentode or triode operations, thanks to the output switch on the front panel.
Sound & Frequency
While most amp heads produce a hissing sound in the Lead channel, the Marshall 2555X doesn’t, which is considered one of its strong suits. It’s regarded as the channel of maximum roughness, which typically affects the frequencies and harmonics. The 2555X’s sound is quiet and neat in this channel, which denotes the components’ high quality.
Moreover, the 2555X features a highly responsive and efficient EQ, reflecting on the overall audio output of the amp. With the tiniest adjustment, you’d notice an instant change in the output. While this is undoubtedly useful in most cases, it’s a double-edged sword, so you ought to take care.
The Marshall’s bass output is just right; it doesn’t sneak into the mids, which accounts for the smooth, balanced sounds you get. Meanwhile, the treble region has a sound sparkle to it that adds a sense of ruggedness to the output.
The fact that the bass isn’t too strong may cause some buyers to shy away, but anyone faithful to the ‘80s knows that all amps designed for this era are the same way. They aren’t bass-centric, which shouldn’t pose a problem unless you’re into rock music.
- Type: Tube
- Channels: 2
- Power: 100W
- 3-band EQ
- 3 ECC83 preamp tubes
- 4 EL34 power tubes
- Dimensions: 12.2 x 29.5 x 9.05 inches
- Weight: 48.7 pounds
- 1-button footswitch
- Material: Silver Tolex
The 2555X reissue boasts a lot of features that are worthy of being in the pros section. For starters, the Clean, Rhythm Clip, and Lead tones are warmer than the original version, accounting for a better output overall.
There’s also the fact that the 2555X’s tubes are among the best out there. The ECC83 and the EL34 tubes have high rankings in the market for their pure ‘80s sounds.
Out of all the previously-mentioned features, our favorite one is the noise-free switching between channels. That way, the users will be able to switch from Clean to Rhythm Clip without a hitch or a distortion. If that doesn’t solve a big chunk of your sound problems, I don’t know what will!
The 2555X comes with an internal stompbox, which means you won’t have to buy an external one, as the way it is with other amps. Lastly, the device’s clipping circuit controls the sound distortion perfectly, making it as if it’s not even there.
The Jubilee is a classic. While that’s something to love about it, it also means you won’t be getting all privileges of a modern amp. In order to produce modern metal or rock sounds, you’ll need to boost the Marshall, as it’s not designed to generate these sounds.
There’s also the fact that you may face some obstacles trying to use it as a channel switcher. It depends on your personal preference of the clean, but it’s something users usually consider a con.
Another thing that some users didn’t like was the lack of a footswitch for the Rhythm Clip. However, we believe that’s searching for the rose’s thorns. The amp has a bunch of useful and convenient features that should compensate for something minor like that.
Lastly, the 2555X is a hefty device; its weight may be too much for some people.
What Customers Had to Say About the Marshall 2555X Silver Jubilee
Customers mostly had good things to say about the 2555X Silver Jubilee. They loved that it kept its authenticity while improving its downsides. Some users were a bit wary of the price, but that’s the price tag you’d expect from a British-made Marshall amp.
The customers especially appreciated the knobs and switches, which made dealing with the amp a lot easier. Despite the Rhythm Clip’s lack of a footswitch, the user interface is still friendly and accessible.
Another thing that gained the users’ approval was the EQ’s high response to adjustments. For some users, that meant they had to be extremely careful when switching, so they don’t interrupt the sound or cause distortion. However, for other faithful Marshall lovers, this just means a better output of sound and frequencies.
The Silver Jubilee is among the most finely-made amps on the market. Whether you’re searching for an authentic Marshall amp, or you merely want an amp that boasts an exceptional sounding powerhouse, you can give it a go.
You’ll fall in love with the rugged sounds of that thing!